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FELIX GAUDLITZ

Werdertorgasse 4/2/13
1010 Vienna
info@felixgaudlitz.com

Index

The Obvious

Milena Büsch, Aria Dean, Hans-Christian Lotz, Laurel Doody Library Supply, Ian Markell, Georgie Nettell, Megan Plunkett, Chadwick Rantanen
Organized by Attilia Fattori Franchini and Felix Gaudlitz
11. 2. – 26. 4. 2020
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Thoughts, Contemplation

Sometimes I think, whilst considering my own narrative, that maybe I’m the talking-cat, or like, maybe I‘m the witch, or maybe I‘m only the article, the comma, I’m a supporting character, and that’s a hard thing for my ego to take, because I want to be the hero of the human story, but I’m not. I’m someone that is in the background in regards to survival because I am not really directly supporting survival, I’m just supporting it in a very abstract way, and possibly, at times, not supporting it. Possibly not supporting it, means antagonist? I could be an antagonist but antagonists are imperative for a virus to survive because it makes it stronger.

Download Press Release (PDF)

VISIT

Art at Michael’s
1147 3rd Street
Santa Monica 90403 USA
ph. 310.451.0843

Art at Michael’s is a continuation of forty years of showing groundbreaking art on the second floor of Michael’s Santa Monica. 

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Chadwick Rantanen, Loop (Brave is Easy), 2014, Fabric (Cherokee Inc, 65% Polyester/ 35% Cotton), Plastic (Buterate), Carbon Fiber Rod, Powdercoated, Steel Ferrules (RAL9004 - Matte), Tags (Polyester/Acetate/Paper), Approximately 50 segments, Circumferential dimensions variable up to 1150 inches

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The Obvious, 2020, Installation view, Art at Michael's, Santa Monica

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Megan Plunkett, Installation view, The Obvious, 2020, Art at Michael's, Santa Monica

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Megan Plunkett, Installation view, The Obvious, 2020, Art at Michael's, Santa Monica

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Laurel Doody Library Supply, Installation view, The Obvious, 2020, Art at Michael's, Santa Monica

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Georgie Nettell, 6 Keeping up is just the story you choose to live with, 2019, Speaking tile with recorded file, Ed. 2/5 + 1 AP, 10.16 × 10.16 cm (4 × 4 in)

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Chadwick Rantanen, Loop (Minnie in Love), 2014, Fabric (Cherokee Inc, 65% Polyester/ 35% Cotton), Plastic (Buterate), Carbon FiberRod, Powdercoated, Steel Ferrules (RAL9004 - Matte), Tags (Polyester/Acetate/Paper), Approximately 50 segment, Circumferential dimensions variable up to 1150 inches

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Chadwick Rantanen, Loop (Minnie in Love), 2014 (Detail), Fabric (Cherokee Inc, 65% Polyester/ 35% Cotton), Plastic (Buterate), Carbon FiberRod, Powdercoated, Steel Ferrules (RAL9004 - Matte), Tags (Polyester/Acetate/Paper), Approximately 50 segment, Circumferential dimensions variable up to 1150 inches

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Hans-Christian Lotz, Installation view, The Obvious, 2020, Art at Michael's, Santa Monica

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Hans-Christian Lotz, Untitled, 2017 – 2020, Soaps, shampoos, and shower corner basket, ca. 22 × 24 × 24 cm (8.662 × 9.449 × 9.449 in)

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Georgie Nettell, Installation view, The Obvious, 2020, Art at Michael's, Santa Monica

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Georgie Nettell, 8 Reality is made up of oppressive structures, not individual fantasies, 2019, Speaking tile with recorded file, Ed. 1/5 + 1 AP, 10.16 × 10.16 cm (4 × 4 in)

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The Obvious, 2020, Installation view, Art at Michael's, Santa Monica

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Aria Dean, But as one... (rework, feat.), 2019, Ed. 1 AP / 5 + 2 AP, Video, 10 min 47 sec

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The Obvious, 2020, Installation view, Art at Michael's, Santa Monica

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The Obvious, 2020, Installation view, Art at Michael's, Santa Monica

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Milena Büsch, Installation view, The Obvious, 2020, Art at Michael's, Santa Monica

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Hans-Christian Lotz, Untitled, 2017 – 2020, Soaps, shampoos, and shower corner basket, ca. 22 × 24 × 24 cm (8.662 × 9.449 × 9.449 in)

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Chadwick Rantanen, Installation view, The Obvious, 2020, Art at Michael's, Santa Monica

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Chadwick Rantanen, Fingerpaint, 2020, Two laminated inkjet prints on paper, tape, each: 12.07 × 15.24 cm (4 3/4 × 6 in)

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Ian Markell, PASS, 2020, Canvas, Polyester thread, Aluminum, various hardware, 66,04 × 365,76 cm (26 × 144 in)

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The Obvious, 2020, Installation view, Art at Michael's, Santa Monica

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Chadwick Rantanen, Dark Sconce, 2020, Laminated inkjet print on paper, 28.70 × 29.72 cm (11.3 × 11.7 in)

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Georgie Nettell, Installation view, The Obvious, 2020, Art at Michael's, Santa Monica

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Georgie Nettell, 9 There is no genre that is not an episode in the story of life, 2019, Speaking tile with recorded file, Ed. 1/5 + 1 AP, 10.16 × 10.16 cm (4 × 4 in)

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Megan Plunkett, Everybody Wins 25, 2019, Digital print on glossy paper in artist's frame, 25,4 × 20,3 cm (10 × 8 in)

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The Obvious, 2020, Installation view, Art at Michael's, Santa Monica

Index