0
FELIX GAUDLITZ

Werdertorgasse 4/2/13
1010 Vienna
info@felixgaudlitz.com

Index
 

Simon Lässig

*1992, Stuttgart, DE
Lives and works in Berlin, DE
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. 1113
fig. 1114
fig. 1115
fig. 1098
fig. 1100
fig. 1103
fig. 1105
fig. 1107
fig. 1109
fig. 1111
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. 894
fig. 915
fig. 916
fig. 917
fig. 918
fig. 919
fig. 920
fig. 921
fig. 922
fig. 932
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. 639
fig. 641
fig. 609
fig. 610
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. (n.n.)
fig. 174
fig. 175
fig. 176
fig. 177
fig. 178
fig. 179
fig. 180
fig. 182
fig. 183
fig. 184

Media

fig. (n.n.)

Simon Lässig, 15th Baltic Triennial: Same Day, curated by Tom Engels and Maya Tounta, 2024, Installation view, CAC – Contemporary Art Centre, Vilnius, LT
Photo: Kristien Daem

fig. (n.n.)

Simon Lässig, 15th Baltic Triennial: Same Day, curated by Tom Engels and Maya Tounta, 2024, Installation view, CAC – Contemporary Art Centre, Vilnius, LT
Photo: Kristien Daem

fig. (n.n.)

Simon Lässig, to display, to support, to care, 2024, Installation view, University Gallery of the Angewandte Heiligenkreuzerhof, Vienna, AT

fig. (n.n.)

Simon Lässig, to display, to support, to care, 2024, Installation view, University Gallery of the Angewandte Heiligenkreuzerhof, Vienna, AT

fig. (n.n.)

Simon Lässig, The Main Entrance – CONDO London with LC Queisser hosted by Hollybush Gardens, 2024, Installation view, Hollybush Gardens, London, UK

fig. (n.n.)

Simon Lässig, The Main Entrance – CONDO London with LC Queisser hosted by Hollybush Gardens, 2024, Installation view, Hollybush Gardens, London, UK

fig. (n.n.)

Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

fig. (n.n.)

Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

fig. (n.n.)

Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

fig. (n.n.)

Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

fig. (n.n.)

Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

fig. (n.n.)

Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

fig. (n.n.)

Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

fig. (n.n.)

Simon Lässig, Untitled, 2023, Object taken from family member, 18,4 × 14,3 cm (7.244 × 5.630 in)

fig. 1113

Liste 2023, FELIX GAUDLITZ presenting Simon Lässig and Vera Lutz, Installation view

fig. 1114

Liste 2023, FELIX GAUDLITZ presenting Simon Lässig and Vera Lutz, Installation view

fig. 1115

Liste 2023, FELIX GAUDLITZ presenting Simon Lässig and Vera Lutz, Installation view

fig. 1098

Simon Lässig, There’s something like pain in the room, and it’s partly overcome: but the weight of objects wins, 2023, Silver gelatine print on Wephota paper, aluminum frame, 32,4 × 26,6 cm (12.755 × 10.472 in), Ed. 3 + 2 AP

fig. 1100

Simon Lässig, There’s something like a destination in the room, and it has already taken place: but the weight of its direction lasts, 2023, Silver gelatine print on Wephota paper, aluminum frame, 32,4 × 26,6 cm (12.755 × 10.472 in), Ed. 3 + 2 AP

fig. 1103

Simon Lässig, how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself., 2023, Silver gelatine print on ORWO paper, aluminum frame, 
43 × 60,4 cm (16.929 × 23.779 in), Ed. 3 + 2 AP

fig. 1105

Simon Lässig, how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself., 2023, Silver gelatine print on ORWO paper, aluminum frame, 
43 × 60,4 cm (16.929 × 23.779 in), Ed. 3 + 2 AP

fig. 1107

Simon Lässig, how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself., 2023, Silver gelatine print on ORWO paper, aluminum frame, 
43 × 60,4 cm (16.929 × 23.779 in), Ed. 3 + 2 AP

fig. 1109

Simon Lässig, how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself., 2023, Silver gelatine print on ORWO paper, aluminum frame, 
43 × 60,4 cm (16.929 × 23.779 in), Ed. 3 + 2 AP

fig. 1111

Simon Lässig, how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself., 2023, Silver gelatine print on ORWO paper, aluminum frame, 43 × 60,4 cm (16.929 × 23.779 in), Ed. 3 + 2 AP

fig. (n.n.)

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

Simon Lässig, There’s something like pain in the room, and it‘s partly overcome: but the weight of objects wins, 2023, Silver gelatine print, 30 × 24 cm (11.811 × 9.448 in), Ed. 3 + 2 AP
Photo: George Kolbaia

fig. (n.n.)

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

Simon Lässig, 2:23 minutes from: Anyaság, 1974, As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt, and alter their thoughts, views,  and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are conditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I’ve seen before repeats itself., 2022, Digital video, sound, 4:46 Min., Ed. 3 + 2 AP
Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

Simon Lässig, 2:23 minutes from: Anyaság, 1974, As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt, and alter their thoughts, views,  and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are conditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I’ve seen before repeats itself., 2022, Digital video, sound, 4:46 Min., Ed. 3 + 2 AP
Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

Simon Lässig, There’s something like a destination in the room, and it has already taken place: but the weight of its direction lasts, 2023, Silver gelatine print, 30 × 24 cm (11.811 × 9.448 in), Ed. 3 + 2 AP
Photo: George Kolbaia

fig. (n.n.)

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

stories for children, Elene Chantladze and Simon Lässig, co-published by LC Queisser, Tbilisi, GE and saxpublishers, Vienna, AT, 2023.

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

stories for children, Elene Chantladze and Simon Lässig, co-published by LC Queisser, Tbilisi, GE and saxpublishers, Vienna, AT, 2023.

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

Simon Lässig, 2:23 minutes from: Anyaság, 1974, As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt, and alter their thoughts, views,  and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are conditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I’ve seen before repeats itself., 2022, Digital video, sound, 4:46 Min., Ed. 3 + 2 AP
Installation view, Kino (Part 2), Fluentum, Berlin, 2022

fig. (n.n.)

Simon Lässig, Kino (Part 2), Installation view, Fluentum, Berlin, 2022

fig. 894

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 915

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 916

Simon Lässig, Untitled, 2022, Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

fig. 917

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

fig. 918

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

fig. 919

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

fig. 920

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

fig. 921

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

fig. 922

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

fig. 932

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. (n.n.)

Simon Lässig, 2021, Installation view, Fanta-MLN, Milan

fig. (n.n.)

Simon Lässig, 2021, Installation view, Fanta-MLN, Milan

fig. (n.n.)

Simon Lässig, Untitled, 2021, Monitor, metal case, digital images, 41 × 33,4 × 3,9 cm (16.142 × 13.149 × 1.535 in), 29:18 min, loop

fig. (n.n.)

Simon Lässig, Untitled, 2021, Monitor, metal case, digital images, 41 × 33,4 × 3,9 cm (16.142 × 13.149 × 1.535 in), 29:18 min, loop

fig. (n.n.)

Simon Lässig, 2021, Installation view, Fanta-MLN, Milan

fig. (n.n.)

Simon Lässig, Untitled, 2021, Watercolor on paper, wooden frame, glass, 24,4 × 18,4 × 2,8 cm (9.606 × 7.244 × 1.102 in)

fig. (n.n.)

Simon Lässig, 2021, Installation view, Fanta-MLN, Milan

fig. (n.n.)

Simon Lässig, Untitled, 2021, Wool, cardboard, 73 × 189 cm (28.740 × 74.40 in)

fig. (n.n.)

Simon Lässig, Untitled, 2021, Monitor, metal case, digital images, 41 × 33,4 × 3,9 cm (16.142 × 13.149 × 1.535 in), 38:06 min, loop

fig. (n.n.)

Simon Lässig, Untitled, 2021, Monitor, metal case, digital images, 41 × 33,4 × 3,9 cm (16.142 × 13.149 × 1.535 in), 38:06 min, loop

fig. 639

miart 2021, Emergent section curated by Attilia Fattori Franchini, FELIX GAUDLITZ presenting Simon Lässig in a joint booth with LC Queisser presenting Elene Chantladze, Installation view

fig. 641

miart 2021, Emergent section curated by Attilia Fattori Franchini, FELIX GAUDLITZ presenting Simon Lässig in a joint booth with LC Queisser presenting Elene Chantladze, Installation view

fig. 609

Milena Büsch, Simon Lässig, Vera Lutz, KOW Joint Ventures, 2021, Installation view

fig. 610

Simon Lässig, Untitled, 2021, Wool, ca. 200 × 140 cm (78.740 × 58.118 in)

fig. (n.n.)

Simon Lässig, Untitled, 2020, Table, stool, stacks of paper, pdf file (87 pages, printed), 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in), Installation view, Portikus, Frankfurt, 2020

fig. (n.n.)

Simon Lässig, Untitled, 2020, Table, stool, stacks of paper, pdf file (87 pages, printed), 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in), Installation view, Portikus, Frankfurt, 2020

fig. (n.n.)

Simon Lässig, Untitled, 2020 (Detail), Table, stool, stacks of paper, pdf file (87 pages, printed), 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in), Installation view, Portikus, Frankfurt, 2020

fig. (n.n.)

Simon Lässig, Untitled, 2020 (Detail), Table, stool, stacks of paper, pdf file (87 pages, printed), 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in), Installation view, Portikus, Frankfurt, 2020

fig. (n.n.)

Simon Lässig, Films selected by as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, 2020, Saturday, 12. 9. 2020, Installation view, Kunstverein München

fig. (n.n.)

Simon Lässig, Films selected by as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, 2020, Saturday, 12. 9. 2020, Installation view, Kunstverein München

fig. (n.n.)

Simon Lässig, Films selected by as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, 2020, Saturday, 12. 9. 2020, Installation view, Kunstverein München

fig. (n.n.)

Simon Lässig, Films selected by as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, 2020, Saturday, 12. 9. 2020, Installation view, Kunstverein München

fig. (n.n.)

Simon Lässig, Untitled, 2019, Folder, 40 plastic wallets with 78 printed pages, board, Board: 1,6 × 72 × 40 cm (0.630 × 28.346 × 15.748 in)

fig. (n.n.)

Simon Lässig, Untitled, 2019 (Detail), Folder, 40 plastic wallets with 78 printed pages, board, Board: 1,6 × 72 × 40 cm (0.630 × 28.346 × 15.748 in)

fig. (n.n.)

Simon Lässig, Untitled, 2019 (Detail), Folder, 40 plastic wallets with 78 printed pages, board, Board: 1,6 × 72 × 40 cm (0.630 × 28.346 × 15.748 in)

fig. (n.n.)

Simon Lässig, Untitled, 2019 (Detail), Folder, 40 plastic wallets with 78 printed pages, board, Board: 1,6 × 72 × 40 cm (0.630 × 28.346 × 15.748 in)

fig. (n.n.)

Simon Lässig, Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), 2019, Organised by Simon Lässig, Installation view, Mavra, Berlin

fig. (n.n.)

Simon Lässig, Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), 2019, Organised by Simon Lässig, Installation view, Mavra, Berlin

fig. (n.n.)

Simon Lässig, Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), 2019, Organised by Simon Lässig, Installation view, Mavra, Berlin

fig. (n.n.)

Simon Lässig, Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), 2019, Organised by Simon Lässig, Installation view, Mavra, Berlin

fig. (n.n.)

Simon Lässig, Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), 2019, Organised by Simon Lässig, Installation view, Mavra, Berlin

fig. 174

Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

fig. 175

Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

fig. 176

Simon Lässig, Untitled, 2019, Print, folder foil, tape, ca. 30 × 21,5 cm (11.811 × 8.465 in)

fig. 177

Simon Lässig, Untitled, 2019 (Detail), Print, folder foil, tape, ca. 30 × 21,5 cm (11.811 × 8.465 in)

fig. 178

Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

fig. 179

Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

fig. 180

Simon Lässig, Untitled, 2019, Print, aluminium frame, glass, 42 × 59,4 cm (16.535 × 23.386 in)

fig. 182

Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

fig. 183

Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

fig. 184

Simon Lässig, Untitled, 2019, Print, aluminium frame, glass, 42 × 59,4 cm (16.535 × 23.386 in)

CV

Education

2012 – 2015
Kunstakademie München, Munich, DE

2016 – 2020
Städelschule Frankfurt, DE, w. Willem de Rooij


Solo and Duo exhibitons

2025
Kunstverein München, Munich, DE (upcoming)

2024
FELIX GAUDLITZ, Vienna, AT

2023
Bonner Kunstverein, Bonn, DE
Liste 2023, Simon Lässig and Vera Lutz, w. FELIX GAUDLITZ, Basel, CH
Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, GE 

2021
Fanta-MLN, Milan, IT (solo)
miart 2021, w. FELIX GAUDLITZ, Milano, IT

2019
FELIX GAUDLITZ, Vienna, AT (solo)
Paris Internationale, w. FELIX GAUDLITZ, Paris, FR
Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), Organised by Simon Lässig, Mavra, Berlin, DE

2017
Grenzen des Wachstums, w. Vera Lutz, Jan Kaps hosting saxpublishers, Cologne, DE


Group exhibitions

2024
15th Baltic Triennial: Same Day, curated by Tom Engels and Maya Tounta, CAC – Contemporary Art Centre, Vilnius, LT
to display, to support, to care, University Gallery of the Angewandte Heiligenkreuzerhof, Vienna, AT
The Main Entrance – CONDO London with LC Queisser, hosted by Hollybush Gardens, London, UK

2023
NINA KÖNNEMANN SIMON LÄSSIG LUTZ MOMMARTZ JOEL AMINE NATALIA BELETSKAYA LUISA BENZINGER FRANZISKA BOUCHON SOFIA DIANA DIAS FLORENCIO LISA EISENLOHR GABRIEL GÖTTEL NICOLAS KENNEDY LANDA BEATE KÖTH MAXIM KRAEMER LAURA METZ FERNANDA ORTIZ DIAZ NUBA REITER EMMA TOMBERGER LOUIS UMBACH JUSTUS VOGEL AYŞE YAZICI, Studiengalerie 1.357, Frankfurt am Main, DE 

2022
Jahresgaben 2022, Kunstverein München, DE
Kino (Part 2), Fluentum Collection, Berlin, DE
I am the secret meat, organized by Tolia Astakhishvili, FELIX GAUDLITZ, Vienna, AT
Not Expecting Much, UA26, Vienna, AT

2021
Jahresgaben 2021, Kunstverein München, DE
Joint Ventures, hosted by KOW, Berlin, DE

2020
Graduation show, Portikus, Frankfurt, DE
Relax – it‘s all online, Lars Friedrich, Berlin, DE
Douze regards obliques, Stefano Faoro, Simon Lässig, Sam Pulitzer, Gili Tal, Fanta-MLN, Milan, IT

2019
projections, Nous Moules, w. Vera Lutz, Vienna, AT

2017
Bunter Protest, w. Vera Lutz, Zacharias Wackwitz, Taylor Macklin, Zürich, CH

2016
Taylor Macklin at Paris Internationale, w. Ariane Müller, Stefan Burger, Kerry Downey, Jen Rosenblit/ Joanna Seitz, Miriam Laura Leonardi, Constantin Thun, Hannah Weinberger, Paris Internationale, Paris, FR
The Vedettes Showboat, w. Jazz Bar in collaboration with saxpublishers, Monnaie de Paris, Paris, FR
Studentenstadt, collaboration w. Anna Fehr, Vera Lutz, Zacharias Wackwitz, Istituto Svizzero, Rome, IT
Das Gespenst der Freiheit, 15 Einreichungen, w. Jazz Bar, Kunstverein Düsseldorf, DE

2015
Ratatouille (Teaser), 89plus residency, Paris, FR
Ratatouille, Shanaynay, Paris, FR
Tbilisi Triennial, My Home is My Castle, Tbilisi, Georgia, GE


Screenings

2023
Screening co-organised by Tolia Astakhishvili and Simon Lässig, as part of: Tolia Astakhishvili: The First Finger (Chapter II), Haus am Waldsee, Berlin, DE

2021
A selection of videos from: Darcy Lange Work Studies (1972-77), Organised by Simon Lässig, Kurzfilmtage Oberhausen Portraits, DE

2020
Films selected by Simon Lässig as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, Kunstverein München, Munich, DE


Grants and Residencies

2023
Artist residency, Hot Wheels Athens, GR
Peter Mertes Stipendium, Bonn, DE

2022
Stamba D block, Tbilisi, GE


Other Projects

2017 – 2018
Die Welt, artist run space, w. Vera Lutz, Zacharias Wackwitz, Berlin, DE

2015 – 2016
Jazzbar 089, artist run space, w. Anna Fehr, Vera Lutz, Zacharias Wackwitz, Munich, DE


Publications

2023
stories for children, Elene Chantladze and Simon Lässig, co-published by LC Queisser, Tbilisi, GE and saxpublishers, Vienna, AT

2021
Introductions to In der Fremde, Niloufar Emamifar and Pujan Karambeigi (ed.), Design by FONDAZIONE Europa, Published by saxpublishers, Vienna, AT

2017
Als wir plötzlich keine Stars mehr waren, Simon Lässig and Vera Lutz, Published by saxpublishers, Vienna, AT

Press

Alexandra Symons-Sutcliffe, Elene Chantladze, Simon Lässig, in: Artforum, Critics's Picks, April 12, 2023.
Francesca Gavin: Tolia Astakhishvili’s Eerie Ostalgia, in: Frieze, September 27, 2022.
Ewa Borysiewicz: DO WHAT IS NECESSARY, NOT BECAUSE IT IS WRITTEN. Curated by, Vienna, 2022, in: Spike Art Magazine, October 28, 2022. 
Robert Müller: Shifter(s): Simon Lässig, Mousse Magazine 70, 3.2.2020.

Exhibitions

55
Simon Lässig
16. 11. 2024 – 1. 2. 2025
53
Art Basel Paris 2024
Joint booth with LC Queisser, Booth H14
Tony Cokes, Edith Deyerling, Simon Lässig, Tanja Widmann
18. – 20. 10. 2024
41
Liste 2023
Simon Lässig, Vera Lutz
12. – 18. 6. 2023
39
Dallas Invitational
Milena Büsch, Tony Cokes, Edith Deyerling, Hervé Guibert, Simon Lässig, Vera Lutz, Tiffany Sia, Tanja Widmann
22. – 23. 4. 2023
33
I am the secret meat
Tolia Astakhishvili, Hervé Guibert, Simon Lässig, Nat Marcus, James Richards, Galen and Edwin Riley
Organized by Tolia Astakhishvili as part of curated by 2022
9. 9. – 22. 10. 2022
24
miart 2021
Simon Lässig
17. – 19. 9. 2021
22
Joint Ventures at KOW Berlin
Milena Büsch, Simon Lässig, Vera Lutz
18. 6. – 24. 7. 2021
10
Paris Internationale 2019
Simon Lässig, Vera Lutz
16. – 20. 10. 2019
6
Simon Lässig
2. 5. – 15. 6. 2019

News

Simon Lässig & Vera Lutz, Kunstverein München, Munich, DE

10. 5. – 17. 8. 2025

Simon Lässig and Tanja Widmann in 15th Baltic Triennial: Same Day, curated by Tom Engels and Maya Tounta, CAC – Contemporary Art Centre, Vilnius, LT

6. 9. 2024 – 12. 1. 2025

Simon Lässig in to display, to support, to care, University Gallery of the Angewandte Heiligenkreuzerhof, Vienna, AT

14. 2. – 6. 4. 2024

Simon Lässig in The Main Entrance – CONDO London with LC Queisser, hosted by Hollybush Gardens, London, UK

20. 1. – 24. 2. 2024

Simon Lässig in Jahresgaben 2023 at Bonner Kunstverein, Bonn, DE

15. 12. 2023 – 17. 1. 2024

Simon Lässig at Bonner Kunstverein, Bonn, DE

September – November 2023

stories for children, Elene Chantladze and Simon Lässig, 2023, Co-published by LC Queisser, Tbilisi, GE and saxpublishers, Vienna, AT, Softcover, Digital print, 132 pages, 14.6 x 20 (5,748 x 7,874 in), Ed. 250.

Simon Lässig in Artforum Critics' Picks by Alexandra Symons Sutcliffe

Simon Lässig in NINA KÖNNEMANN SIMON LÄSSIG LUTZ MOMMARTZ JOEL AMINE NATALIA BELETSKAYA LUISA BENZINGER FRANZISKA BOUCHON SOFIA DIANA DIAS FLORENCIO LISA EISENLOHR GABRIEL GÖTTEL NICOLAS KENNEDY LANDA BEATE KÖTH MAXIM KRAEMER LAURA METZ FERNANDA ORTIZ DIAZ NUBA REITER EMMA TOMBERGER LOUIS UMBACH JUSTUS VOGEL AYŞE YAZICI, Studiengalerie 1.357, Frankfurt am Main, DE

8. 6. – 7. 7. 2023

Simon Lässig, Screening co-organized with Tolia Astakhishvili, as part of: Tolia Astakhishvili: The First Finger (Chapter II), Haus am Waldsee, Berlin, DE

2. 7. 2023

Simon Lässig and Elene Chantladze at LC Queisser, Tbilisi, GE 

26. 2. – 1. 4. 2023

Simon Lässig in KINO (Part 2), Fluentum Collection, Berlin, Germany

4. 11. – 17. 12. 2022

Simon Lässig in Jahresgaben 2022, Kunstverein München, DE

2. – 11. 12. 2022

I am the secret meat in Frieze Magazine, Review by Francesca Gavin

Simon Lässig in Not Expecting Much, UA26, Vienna, Austria

16. 9. – 22. 10. 2022

Simon Lässig, Fanta-MLN, Milan

1. 12. 2021 – 29. 1. 2022

Simon Lässig & Tanja Widmann in Jahresgaben 2021, Kunstverein München

3. 12. – 12. 11. 2021

A selection of videos from: Darcy Lange Work Studies (1972-77), Organised by Simon Lässig, Kurzfilmtage Oberhausen Portraits

23. – 25. 4. 2021

Simon Lässig in L'Esprit—Absolventenausstellung 2020, Portikus, Frankfurt

19. 9. – 18. 10. 2020

Films selected by Simon Lässig as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, Saturday, 12. 9. 2020, 21:00, Kunstverein München

Milena Büsch, Simon Lässig and Vera Lutz in Relax – it's all online., Lars Friedrich, Berlin

19. 6. – 1. 8. 2020

Simon Lässig, Shifter(s) by Robert Müller in Mousse Magazine Issue 70, Winter 2020

Simon Lässig in Douze Regards Obliques, Fanta-MLN, 1. 2. – 21. 3. 2020

Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976), Organised by Simon Lässig, Mavra, Berlin

9. 11. – 7. 12. 2019

Simon Lässig & Vera Lutz, Projections, Nous Moules, Vienna

31. 8. – 14. 9. 2019

Publications

stories for children, Elene Chantladze and Simon Lässig, 2023, co-published by LC Queisser, Tbilisi, GE and saxpublishers, Vienna, AT, Softcover, Digital print, 132 pages, 14.6 x 20 (5,748 x 7,874 in). Ed. 250.

Introductions to In der Fremde, Niloufar Emamifar and Pujan Karambeigi (ed.), 2021, Design by FONDAZIONE Europa, Published by saxpublishers, Vienna, AT, Softcover, 84 pages, 12,7 × 20,3 (5 × 7.992 in), Ed. 250.

Als wir plötzlich keine Stars mehr waren, Simon Lässig and Vera Lutz, 2017, Published by saxpublishers, Vienna, AT, Softcover, 100 pages, 24,5 x 34,1 cm, Ed. of 150.

Press

Index