Index
 

Simon Lässig

*1992, Stuttgart, DE
Lives and works in Berlin, DE

Media

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Simon Lässig, to display, to support, to care, 2024, Installation view, University Gallery of the Angewandte Heiligenkreuzerhof, Vienna, AT

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Simon Lässig, to display, to support, to care, 2024, Installation view, University Gallery of the Angewandte Heiligenkreuzerhof, Vienna, AT

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Simon Lässig, The Main Entrance – CONDO London with LC Queisser hosted by Hollybush Gardens, 2024, Installation view, Hollybush Gardens, London, UK

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Simon Lässig, The Main Entrance – CONDO London with LC Queisser hosted by Hollybush Gardens, 2024, Installation view, Hollybush Gardens, London, UK

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Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

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Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

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Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

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Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

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Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

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Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

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Simon Lässig, Peter Mertes Stipend 2023, Installation view, Bonner Kunstverein, DE

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Simon Lässig, Untitled, 2023, Object taken from family member, 18,4 × 14,3 cm (7.244 × 5.630 in)

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Liste 2023, FELIX GAUDLITZ presenting Simon Lässig and Vera Lutz, Installation view

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Liste 2023, FELIX GAUDLITZ presenting Simon Lässig and Vera Lutz, Installation view

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Liste 2023, FELIX GAUDLITZ presenting Simon Lässig and Vera Lutz, Installation view

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Simon Lässig, There’s something like pain in the room, and it’s partly overcome: but the weight of objects wins, 2023, Silver gelatine print on Wephota paper, aluminum frame, 32,4 × 26,6 cm (12.755 × 10.472 in), Ed. 3 + 2 AP

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Simon Lässig, There’s something like a destination in the room, and it has already taken place: but the weight of its direction lasts, 2023, Silver gelatine print on Wephota paper, aluminum frame, 32,4 × 26,6 cm (12.755 × 10.472 in), Ed. 3 + 2 AP

fig. 1103

Simon Lässig, how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself., 2023, Silver gelatine print on ORWO paper, aluminum frame, 
43 × 60,4 cm (16.929 × 23.779 in), Ed. 3 + 2 AP

fig. 1105

Simon Lässig, how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself., 2023, Silver gelatine print on ORWO paper, aluminum frame, 
43 × 60,4 cm (16.929 × 23.779 in), Ed. 3 + 2 AP

fig. 1107

Simon Lässig, how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself., 2023, Silver gelatine print on ORWO paper, aluminum frame, 
43 × 60,4 cm (16.929 × 23.779 in), Ed. 3 + 2 AP

fig. 1109

Simon Lässig, how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself., 2023, Silver gelatine print on ORWO paper, aluminum frame, 
43 × 60,4 cm (16.929 × 23.779 in), Ed. 3 + 2 AP

fig. 1111

Simon Lässig, how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself., 2023, Silver gelatine print on ORWO paper, aluminum frame, 43 × 60,4 cm (16.929 × 23.779 in), Ed. 3 + 2 AP

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Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

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Simon Lässig, There’s something like pain in the room, and it‘s partly overcome: but the weight of objects wins, 2023, Silver gelatine print, 30 × 24 cm (11.811 × 9.448 in), Ed. 3 + 2 AP
Photo: George Kolbaia

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Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

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Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

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Simon Lässig, 2:23 minutes from: Anyaság, 1974As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt, and alter their thoughts, views,  and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are conditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I’ve seen before repeats itself., 2022, Digital video, sound, 4:46 Min., Ed. 3 + 2 AP
Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

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Simon Lässig, 2:23 minutes from: Anyaság, 1974As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt, and alter their thoughts, views,  and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are conditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I’ve seen before repeats itself., 2022, Digital video, sound, 4:46 Min., Ed. 3 + 2 AP
Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

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Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

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Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

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Simon Lässig, There’s something like a destination in the room, and it has already taken place: but the weight of its direction lasts, 2023, Silver gelatine print, 30 × 24 cm (11.811 × 9.448 in), Ed. 3 + 2 AP
Photo: George Kolbaia

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Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

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Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

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stories for children, Elene Chantladze and Simon Lässig, co-published by LC Queisser, Tbilisi, GE and saxpublishers, Vienna, AT, 2023.

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

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stories for children, Elene Chantladze and Simon Lässig, co-published by LC Queisser, Tbilisi, GE and saxpublishers, Vienna, AT, 2023.

Installation view, Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, 2023
Photo: George Kolbaia

fig. (n.n.)

Simon Lässig, 2:23 minutes from: Anyaság, 1974As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt, and alter their thoughts, views,  and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are conditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I’ve seen before repeats itself., 2022, Digital video, sound, 4:46 Min., Ed. 3 + 2 AP
Installation view, Kino (Part 2), Fluentum, Berlin, 2022

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Simon Lässig, Kino (Part 2), Installation view, Fluentum, Berlin, 2022

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Simon Lässig, Untitled, 2022, Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Simon Lässig, 2021, Installation view, Fanta-MLN, Milan

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Simon Lässig, 2021, Installation view, Fanta-MLN, Milan

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Simon Lässig, Untitled, 2021, Monitor, metal case, digital images, 41 × 33,4 × 3,9 cm (16.142 × 13.149 × 1.535 in), 29:18 min, loop

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Simon Lässig, Untitled, 2021, Monitor, metal case, digital images, 41 × 33,4 × 3,9 cm (16.142 × 13.149 × 1.535 in), 29:18 min, loop

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Simon Lässig, 2021, Installation view, Fanta-MLN, Milan

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Simon Lässig, Untitled, 2021, Watercolor on paper, wooden frame, glass, 24,4 × 18,4 × 2,8 cm (9.606 × 7.244 × 1.102 in)

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Simon Lässig, 2021, Installation view, Fanta-MLN, Milan

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Simon Lässig, Untitled, 2021, Wool, cardboard, 73 × 189 cm (28.740 × 74.40 in)

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Simon Lässig, Untitled, 2021, Monitor, metal case, digital images, 41 × 33,4 × 3,9 cm (16.142 × 13.149 × 1.535 in), 38:06 min, loop

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Simon Lässig, Untitled, 2021, Monitor, metal case, digital images, 41 × 33,4 × 3,9 cm (16.142 × 13.149 × 1.535 in), 38:06 min, loop

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miart 2021, Emergent section curated by Attilia Fattori Franchini, FELIX GAUDLITZ presenting Simon Lässig in a joint booth with LC Queisser presenting Elene Chantladze, Installation view

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miart 2021, Emergent section curated by Attilia Fattori Franchini, FELIX GAUDLITZ presenting Simon Lässig in a joint booth with LC Queisser presenting Elene Chantladze, Installation view

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Milena Büsch, Simon Lässig, Vera Lutz, KOW Joint Ventures, 2021, Installation view

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Simon Lässig, Untitled, 2021, Wool, ca. 200 × 140 cm (78.740 × 58.118 in)

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Simon Lässig, Untitled, 2020, Table, stool, stacks of paper, pdf file (87 pages, printed), 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in), Installation view, Portikus, Frankfurt, 2020

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Simon Lässig, Untitled, 2020, Table, stool, stacks of paper, pdf file (87 pages, printed), 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in), Installation view, Portikus, Frankfurt, 2020

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Simon Lässig, Untitled, 2020 (Detail), Table, stool, stacks of paper, pdf file (87 pages, printed), 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in), Installation view, Portikus, Frankfurt, 2020

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Simon Lässig, Untitled, 2020 (Detail), Table, stool, stacks of paper, pdf file (87 pages, printed), 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in), Installation view, Portikus, Frankfurt, 2020

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Simon Lässig, Films selected by as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, 2020, Saturday, 12. 9. 2020, Installation view, Kunstverein München

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Simon Lässig, Films selected by as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, 2020, Saturday, 12. 9. 2020, Installation view, Kunstverein München

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Simon Lässig, Films selected by as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, 2020, Saturday, 12. 9. 2020, Installation view, Kunstverein München

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Simon Lässig, Films selected by as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, 2020, Saturday, 12. 9. 2020, Installation view, Kunstverein München

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Simon Lässig, Untitled, 2019, Folder, 40 plastic wallets with 78 printed pages, board, Board: 1,6 × 72 × 40 cm (0.630 × 28.346 × 15.748 in)

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Simon Lässig, Untitled, 2019 (Detail), Folder, 40 plastic wallets with 78 printed pages, board, Board: 1,6 × 72 × 40 cm (0.630 × 28.346 × 15.748 in)

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Simon Lässig, Untitled, 2019 (Detail), Folder, 40 plastic wallets with 78 printed pages, board, Board: 1,6 × 72 × 40 cm (0.630 × 28.346 × 15.748 in)

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Simon Lässig, Untitled, 2019 (Detail), Folder, 40 plastic wallets with 78 printed pages, board, Board: 1,6 × 72 × 40 cm (0.630 × 28.346 × 15.748 in)

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Simon Lässig, Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), 2019, Organised by Simon Lässig, Installation view, Mavra, Berlin

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Simon Lässig, Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), 2019, Organised by Simon Lässig, Installation view, Mavra, Berlin

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Simon Lässig, Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), 2019, Organised by Simon Lässig, Installation view, Mavra, Berlin

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Simon Lässig, Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), 2019, Organised by Simon Lässig, Installation view, Mavra, Berlin

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Simon Lässig, Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), 2019, Organised by Simon Lässig, Installation view, Mavra, Berlin

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Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

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Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

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Simon Lässig, Untitled, 2019, Print, folder foil, tape, ca. 30 × 21,5 cm (11.811 × 8.465 in)

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Simon Lässig, Untitled, 2019 (Detail), Print, folder foil, tape, ca. 30 × 21,5 cm (11.811 × 8.465 in)

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Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

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Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

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Simon Lässig, Untitled, 2019, Print, aluminium frame, glass, 42 × 59,4 cm (16.535 × 23.386 in)

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Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

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Simon Lässig, 2019, Installation view, FELIX GAUDLITZ, Vienna

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Simon Lässig, Untitled, 2019, Print, aluminium frame, glass, 42 × 59,4 cm (16.535 × 23.386 in)

CV

Education

2012 – 2015
Kunstakademie München, Munich, DE

2016 – 2020
Städelschule Frankfurt, DE, w. Willem de Rooij


Solo and Duo exhibitons

2024
FELIX GAUDLITZ, Vienna, AT (upcoming)

2023
Bonner Kunstverein, Bonn, DE
Liste 2023, Simon Lässig and Vera Lutz, w. FELIX GAUDLITZ, Basel, CH
Elene Chantladze, Simon Lässig, LC Queisser, Tbilisi, GE 

2021
Fanta-MLN, Milan, IT (solo)
miart 2021, w. FELIX GAUDLITZ, Milano, IT

2019
FELIX GAUDLITZ, Vienna, AT (solo)
Paris Internationale, w. FELIX GAUDLITZ, Paris, FR
Darcy Lange: Work Studies in Schools, A selection of videos from Study of Three Birmingham Schools (UK, 1976, 1⁄2 inch video transferred to digital, black and white, sound, approximately 12 hours), Organised by Simon Lässig, Mavra, Berlin, DE

2017
Grenzen des Wachstums, w. Vera Lutz, Jan Kaps hosting saxpublishers, Cologne, DE


Group exhibitions

2024
to display, to support, to care, University Gallery of the Angewandte Heiligenkreuzerhof, Vienna, AT
The Main Entrance – CONDO London with LC Queisser, hosted by Hollybush Gardens, London, UK

2023
NINA KÖNNEMANN SIMON LÄSSIG LUTZ MOMMARTZ JOEL AMINE NATALIA BELETSKAYA LUISA BENZINGER FRANZISKA BOUCHON SOFIA DIANA DIAS FLORENCIO LISA EISENLOHR GABRIEL GÖTTEL NICOLAS KENNEDY LANDA BEATE KÖTH MAXIM KRAEMER LAURA METZ FERNANDA ORTIZ DIAZ NUBA REITER EMMA TOMBERGER LOUIS UMBACH JUSTUS VOGEL AYŞE YAZICI, Studiengalerie 1.357, Frankfurt am Main, DE 

2022
Jahresgaben 2022, Kunstverein München, DE
Kino (Part 2), Fluentum Collection, Berlin, DE
I am the secret meat, organized by Tolia Astakhishvili, FELIX GAUDLITZ, Vienna, AT
Not Expecting Much, UA26, Vienna, AT

2021
Jahresgaben 2021, Kunstverein München, DE
Joint Ventures, hosted by KOW, Berlin, DE

2020
Graduation show, Portikus, Frankfurt, DE
Relax – it‘s all online, Lars Friedrich, Berlin, DE
Douze regards obliques, Stefano Faoro, Simon Lässig, Sam Pulitzer, Gili Tal, Fanta-MLN, Milan, IT

2019
projections, Nous Moules, w. Vera Lutz, Vienna, AT

2017
Bunter Protest, w. Vera Lutz, Zacharias Wackwitz, Taylor Macklin, Zürich, CH

2016
Taylor Macklin at Paris Internationale, w. Ariane Müller, Stefan Burger, Kerry Downey, Jen Rosenblit/ Joanna Seitz, Miriam Laura Leonardi, Constantin Thun, Hannah Weinberger, Paris Internationale, Paris, FR
The Vedettes Showboat, w. Jazz Bar in collaboration with saxpublishers, Monnaie de Paris, Paris, FR
Studentenstadt, collaboration w. Anna Fehr, Vera Lutz, Zacharias Wackwitz, Istituto Svizzero, Rome, IT
Das Gespenst der Freiheit, 15 Einreichungen, w. Jazz Bar, Kunstverein Düsseldorf, DE

2015
Ratatouille (Teaser), 89plus residency, Paris, FR
Ratatouille, Shanaynay, Paris, FR
Tbilisi Triennial, My Home is My Castle, Tbilisi, Georgia, GE


Screenings

2023
Screening co-organised by Tolia Astakhishvili and Simon Lässig, as part of: Tolia Astakhishvili: The First Finger (Chapter II), Haus am Waldsee, Berlin, DE

2021
A selection of videos from: Darcy Lange Work Studies (1972-77), Organised by Simon Lässig, Kurzfilmtage Oberhausen Portraits, DE

2020
Films selected by Simon Lässig as part of the program of events on the occasion of the exhibition Not Working - Artistic production and matters of class, Kunstverein München, Munich, DE


Grants and Residencies

2023
Artist residency, Hot Wheels Athens, GR
Peter Mertes Stipendium, Bonn, DE

2022
Stamba D block, Tbilisi, GE


Other Projects

2017 – 2018
Die Welt, artist run space, w. Vera Lutz, Zacharias Wackwitz, Berlin, DE

2015 – 2016
Jazzbar 089, artist run space, w. Anna Fehr, Vera Lutz, Zacharias Wackwitz, Munich, DE


Publications

2023
stories for children, Elene Chantladze and Simon Lässig, co-published by LC Queisser, Tbilisi, GE and saxpublishers, Vienna, AT

2021
Introductions to In der Fremde, Niloufar Emamifar and Pujan Karambeigi (ed.), Design by FONDAZIONE Europa, Published by saxpublishers, Vienna, AT

2017
Als wir plötzlich keine Stars mehr waren, Simon Lässig and Vera Lutz, Published by saxpublishers, Vienna, AT

Press

Alexandra Symons-Sutcliffe, Elene Chantladze, Simon Lässig, in: Artforum, Critics's Picks, April 12, 2023.
Francesca Gavin: Tolia Astakhishvili’s Eerie Ostalgia, in: Frieze, September 27, 2022.
Ewa Borysiewicz: DO WHAT IS NECESSARY, NOT BECAUSE IT IS WRITTEN. Curated by, Vienna, 2022, in: Spike Art Magazine, October 28, 2022. 
Robert Müller: Shifter(s): Simon Lässig, Mousse Magazine 70, 3.2.2020.

News

Simon Lässig in NINA KÖNNEMANN SIMON LÄSSIG LUTZ MOMMARTZ JOEL AMINE NATALIA BELETSKAYA LUISA BENZINGER FRANZISKA BOUCHON SOFIA DIANA DIAS FLORENCIO LISA EISENLOHR GABRIEL GÖTTEL NICOLAS KENNEDY LANDA BEATE KÖTH MAXIM KRAEMER LAURA METZ FERNANDA ORTIZ DIAZ NUBA REITER EMMA TOMBERGER LOUIS UMBACH JUSTUS VOGEL AYŞE YAZICI, Studiengalerie 1.357, Frankfurt am Main, DE

8. 6. – 7. 7. 2023

1. 12. 2021 – 29. 1. 2022

Publications

stories for children, Elene Chantladze and Simon Lässig, 2023, co-published by LC Queisser, Tbilisi, GE and saxpublishers, Vienna, AT, Softcover, Digital print, 132 pages, 14.6 x 20 (5,748 x 7,874 in). Ed. 250.

Introductions to In der Fremde, Niloufar Emamifar and Pujan Karambeigi (ed.), 2021, Design by FONDAZIONE Europa, Published by saxpublishers, Vienna, AT, Softcover, 84 pages, 12,7 × 20,3 (5 × 7.992 in), Ed. 250.

Als wir plötzlich keine Stars mehr waren, Simon Lässig and Vera Lutz, 2017, Published by saxpublishers, Vienna, AT, Softcover, 100 pages, 24,5 x 34,1 cm, Ed. of 150.

Index