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FELIX GAUDLITZ

Werdertorgasse 4/2/13
1010 Vienna
info@felixgaudlitz.com

Index
 

Tiffany Sia

*1988, born in Hong Kong SAR
Lives and works in New York City, NY, USA
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Media

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Tiffany Sia, An Image on Air, 2024, Video, display monitor with security foil, 2 min., 7 × 23.5 × 2.2 cm (2 3⁄4 × 9 1⁄4 × 7⁄8 in), Ed. 3 + 2AP
Technical Difficulties, 2024, Installation view, Maxwell Graham Gallery, New York, US

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Tiffany Sia,Technical Difficulties, 2024, Installation view, Maxwell Graham Gallery, New York, US

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Tiffany Sia, Journey From North to South, 2024, Video, 3-channel rackmount monitor, 21h 39 min., 8.9 × 48.3 × 11.4 cm (3 1⁄2 × 19 × 4 1⁄2 in), Ed. 3 + 2 AP
Technical Difficulties, 2024, Installation view, Maxwell Graham Gallery, New York, US

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Tiffany Sia, Journey From North to South, 2024, Video, 3-channel rackmount monitor, 21h 39 min., 8.9 × 48.3 × 11.4 cm (3 1⁄2 × 19 × 4 1⁄2 in), Ed. 3 + 2 AP
Technical Difficulties, 2024, Installation view, Maxwell Graham Gallery, New York, US

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Tiffany Sia, Technical Difficulties, 2024, Installation view, Maxwell Graham Gallery, New York, US

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Tiffany Sia, A Child Already Knows, 2024, Video, 33 min., Ed. 5 + 2 AP
Technical Difficulties, Installation view, Maxwel Graham Gallery, New York, US

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Tiffany Sia, Antipodes II, 2024, Rewired rearview mirror with recorded live-stream video of the port of Okinawa for a duration of 24 hours, 26 × 7.5 × 9 cm (10 1/4 × 3 x 3 1/2 in), Ed. 3 + 2 AP
Installation view, Maxwell Graham Gallery, New York, US

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Tiffany Sia, Antipodes II, 2024, Rewired rearview mirror with recorded live-stream video of the port of Okinawa for a duration of 24 hours, 26 × 7.5 × 9 cm (10 1/4 × 3 x 3 1/2 in), Ed. 3 + 2 AP
Installation view, Maxwell Graham Gallery, New York, US

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Tiffany Sia, The Sojourn, 2023, 32-minute video projected on aluminum alloy divider stand frame with polyester curtain, 256 cm × 300 cm (100.79 × 118.11 in), Ed. 5 + 2 AP
Installation view, Paraventi: Folding Screens from the 17th to 21st Centuries, 2023, Fondazione Prada, Milan, IT
Photo: Delfino Sisto Legnani and Alessandro Saletta – DSL Studio

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Tiffany Sia, The Sojourn, 2023, 32-minute video projected on aluminum alloy divider stand frame with polyester curtain, 256 cm × 300 cm (100.79 × 118.11 in), Ed. 5 + 2 AP
Installation view, Paraventi: Folding Screens from the 17th to 21st Centuries, 2023, Fondazione Prada, Milan, IT
Photo: Delfino Sisto Legnani and Alessandro Saletta – DSL Studio

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Tiffany Sia, A Wet Finger in the Air, 2021, Single-channel video, 60:00 mins. loop, Infinite duration, Ed. 5 + 2 AP
Installation view, Everybody Talks About the Weather, 2023, Fondazione Prada Venice, Venice, IT

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Tiffany Sia, Never Rest/Unrest, 2020, High-definition video (color, sound), 29 min. The Museum of Modern Art, New York. Fund for the TwentyFirst Century
Installation view of Signals: How Video Transformed the World, on view at The Museum of Modern Art, New York from March 5 – July 8, 2023
Digital image © 2023 The Museum of Modern Art. Photo: Robert Gerhardt

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Installation view, 12.23 Tiffany Sia: Scroll Figure #3, Scroll Figure #4, ajh.pm, Bielefeld, 2023
Photo: Ines Könitz

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Installation view, 12.23 Tiffany Sia: Scroll Figure #3, Scroll Figure #4, ajh.pm, Bielefeld, 2023
Photo: Ines Könitz

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Installation view, 12.23 Tiffany Sia: Scroll Figure #3, Scroll Figure #4, ajh.pm, Bielefeld, 2023
Photo: Ines Könitz

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Tiffany Sia, Installation view, Scoring the Words, Seoul Museum of Art, Seoul, 2022
Photo: Kim Sang Tae

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Tiffany Sia, A Road Movie is Impossible in Hong Kong, 2021, 7-Channel-Video installation, Ed. 5 + 2 AP
Installation view, Scoring the Words, Seoul Museum of Art, Seoul, 2022
Photo: Kim Sang Tae

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Tiffany Sia, A Road Movie is Impossible in Hong Kong, 2021, 7-Channel-Video installation, Ed. 5 + 2 AP
Installation view, Scoring the Words, Seoul Museum of Art, Seoul, 2022
Photo: Kim Sang Tae

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Tiffany Sia, Bastard Tongue, 2021, Continuous-feed dot-matrix papers, Metal clips, Dimensions variable
Installation view, Scoring the Words, Seoul Museum of Art, Seoul, 2022
Photo: Kim Sang Tae

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Tiffany Sia, Bastard Tongue, 2021, Continuous-feed dot-matrix papers, Metal clips, Dimensions variable
Installation view, Scoring the Words, Seoul Museum of Art, Seoul, 2022
Photo: Kim Sang Tae

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Tiffany Sia, Bastard Tongue, 2021, Continuous-feed dot-matrix papers, Metal clips, Dimensions variable
Installation view, Scoring the Words, Seoul Museum of Art, Seoul, 2022
Photo: Kim Sang Tae

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Liste 2022, FELIX GAUDLITZ presenting Tiffany Sia, Installation view

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Tiffany Sia, Minor Landscape #3, 2022, Digital print mounted on acrylic, customized light box, 90 × 180 × 10 cm (35,433 × 70,866 × 3,937 in), Ed. 3 + 2 AP

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Tiffany Sia, Minor Landscape #3, 2022, Detail, Digital print mounted on acrylic, customized light box, 90 × 180 × 10 cm (35,433 × 70,866 × 3,937 in), Ed. 3 + 2 AP

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Liste 2022, FELIX GAUDLITZ presenting Tiffany Sia, Installation view

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Liste 2022, FELIX GAUDLITZ presenting Tiffany Sia, Installation view

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Tiffany Sia, Scroll Figure #1, 2022, 22 inch monitor with security foil, mediaplayer, video, 03:26 mins., Ed. 3 + 2 AP

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Tiffany Sia, Scroll Figure #1, 2022, 22 inch monitor with security foil, mediaplayer, video, 03:26 mins., Ed. 3 + 2 AP

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Tiffany Sia, Scroll Figure #2, 2022, 22 inch monitor with security foil, mediaplayer, video, 03:12 mins., Ed. 3 + 2 AP

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Tiffany Sia, Scroll Figure #3, 2022 (Film still), 22 inch monitor with security foil, mediaplayer, video, 03:51 mins., Ed. 3 + 2 AP 

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Tiffany Sia, Scroll Figure #4, 2022 (Film still), 22 inch monitor with security foil, mediaplayer, video, 03:01 mins., Ed. 3 + 2 AP 

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Every lie has an audience, organized by Attilia Fattori Franchini and Felix Gaudlitz, Installation view, Groundfloor, Marsèll, Via Paullo, 2022
Photo: Lorenzo Capelli

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Tiffany Sia, Do not Circulate, 2021, Film, sound, 17:00 min, Ed. 3 + 2 AP
Installation view, Every lie has an audience, organized by Attilia Fattori Franchini and Felix Gaudlitz, Groundfloor, Marsèll, Via Paullo, 2022
Photo: Lorenzo Capelli

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Tiffany Sia, Do not Circulate, 2021, Film, sound, 17:00 min, Ed. 3 + 2 AP
Installation view, Every lie has an audience, organized by Attilia Fattori Franchini and Felix Gaudlitz, Groundfloor, Marsèll, Via Paullo, 2022
Photo: Lorenzo Capelli

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Tiffany Sia, Do Not Circulate, 2021, Video, 17:00 mins., Ed. 3 + 2 AP

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Every lie has an audience, organized by Attilia Fattori Franchini and Felix Gaudlitz, Installation view, Groundfloor, Marsèll, Via Paullo, 2022
Photo: Lorenzo Capelli

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Tiffany Sia, A Wet Finger in the Air, 2021, Single-channel video, sound, Infinite loop, Ed. 5 + 2 AP
Installation view, Every lie has an audience, organized by Attilia Fattori Franchini and Felix Gaudlitz, Groundfloor, Marsèll, Via Paullo, 2022
Photo: Lorenzo Capelli

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Tiffany Sia, A Wet Finger in the Air, 2021, Single-channel video, 60:00 mins. in loop, Infinite duration, Ed. 5 + 2 AP

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Tiffany Sia, Minor Landscapes, 2022, Installation view, FELIX GAUDLITZ, Vienna

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Tiffany Sia, Minor Landscapes, 2022, Installation view, FELIX GAUDLITZ, Vienna

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Tiffany Sia, Minor Landscape #1, 2022, Digital print mounted on acrylic, customized light box, 90 × 180 × 10 cm (35,433 × 70,866 × 3,937 in), Ed. 3 + 2 AP

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Tiffany Sia, Minor Landscape #1, 2022 (Detail), Digital print mounted on acrylic, customized light box, 90 × 180 × 10 cm (35,433 × 70,866 × 3,937 in), Ed. 3 + 2 AP

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Tiffany Sia, Minor Landscape #2, 2022, Digital print mounted on acrylic, customized light box, 90 × 180 × 10 cm (35,433 × 70,866 × 3,937 in), Ed. 3 + 2 AP

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Tiffany Sia, Minor Landscape #1, 2022 (Detail), Digital print mounted on acrylic, customized light box, 90 × 180 × 10 cm (35,433 × 70,866 × 3,937 in), Ed. 3 + 2 AP

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Tiffany Sia, Minor Landscapes, 2022, Installation view, FELIX GAUDLITZ, Vienna

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Tiffany Sia, Minor Landscapes, 2022, Installation view, FELIX GAUDLITZ, Vienna

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Tiffany Sia, Antipodes, 2022, Rewired rearview mirror with video stream recording, 26 × 7.5 × 9cm (10,236 × 2,952 × 3,543 in), Ed. 3 + 2 AP

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Tiffany Sia, Antipodes, 2022 (Detail), Rewired rearview mirror with video stream recording, 26 × 7.5 × 9cm (10,236 × 2,952 × 3,543 in), Ed. 3 + 2 AP

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Tiffany Sia, Antipodes, 2022 (Detail), Rewired rearview mirror with video stream recording, 26 × 7.5 × 9cm (10,236 × 2,952 × 3,543 in), Ed. 3 + 2 AP

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Film still from: Tiffany Sia, Antipodes, 2022, Rewired rearview mirror with video stream recording, 26 × 7.5 × 9cm (10,236 × 2,952 × 3,543 in), Ed. 3 + 2 AP

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Tiffany Sia, Minor Landscapes, 2022, Installation view, FELIX GAUDLITZ, Vienna

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Tiffany Sia, What Rules The Invisible, 2022, HD Video, Sound, 9:50 min., Ed. 3 + 2 AP

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Tiffany Sia, What Rules The Invisible, 2022, HD Video, Sound, 9:50 min., Ed. 3 + 2 AP

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Tiffany Sia, What Rules The Invisible, 2022, HD Video, Sound, 9:50 min., Ed. 3 + 2 AP

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Tiffany Sia, A Road Movie is Impossible in Hong Kong, 2021, 7-Channel-Video Installation, Ed. 5 + 2 AP 
Installation view, Closer, 2022, Kunstverein Düsseldorf, Düsseldorf

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Tiffany Sia, A Road Movie is Impossible in Hong Kong, 2021, 7-Channel-Video Installation, Ed. 5 + 2 AP 
Installation view, Closer, 2022, Kunstverein Düsseldorf, Düsseldorf

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Tiffany Sia, The Bastard Scroll , 2021, Ink on continuous feed dot matrix paper, wooden table, chair, Overall dimensions variable
Installation view, Slippery When Wet, Artists Space, New York, 2021

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Tiffany Sia, The Bastard Scroll, 2021 (Detail), Ink on continuous feed dot matrix paper, wooden table, chair, Overall dimensions variable
Installation view, Slippery When Wet, Artists Space, New York, 2021

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Tiffany Sia, Installation view, Slippery When Wet, Artists Space, New York, 2021

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Tiffany Sia, Barriers Buy Time, 2021, Approx. 150 copies of mylar-wrapped books, Overall dimensions variable
Installation view, Slippery When Wet, Artists Space, New York, 2021

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Tiffany Sia, Barriers Buy Time, 2021 (Detail), Approx. 150 copies of mylar-wrapped books, Overall dimensions variable
Installation view, Slippery When Wet, Artists Space, New York, 2021

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Tiffany Sia, Installation view, Slippery When Wet, Artists Space, New York, 2021

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Tiffany Sia, A Wet Finger in the Air, 2021, Three-channel video, 60:00 mins. in loop, Infinite duration, Ed. 3 + 2 AP
Installation view, Slippery When Wet, Artists Space, New York, 2021

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Tiffany Sia, Bastard Tongue, 2021, Continuous feed dot matrix paper, hardware, Overall dimensions variable, Total length: 71247 × 22,86 cm (28050 × 9 in.)
Installation view, Slippery When Wet, Artists Space, New York, 2021

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Tiffany Sia, Bastard Tongue, 2021 (Detail), Continuous feed dot matrix paper, hardware, Overall dimensions variable, Total length: 71247 × 22,86 cm (28050 × 9 in.)
Installation view, Slippery When Wet, Artists Space, New York, 2021

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Tiffany Sia, Installation view, Slippery When Wet, Artists Space, New York, 2021

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Tiffany Sia, Never Rest/Unrest, 2020, Video, 28:00 mins., Ed. 3 + 2 AP

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Tiffany Sia, A Wet Finger in the Air, 2021, Single-channel video, 60:00 mins. in loop, Infinite duration, Ed. 3 + 2 AP
Installation view, Play and Loop III, Blindspot Gallery, Hong Kong

CV

Education

2010
Bard College, BA Film Studies and Asian Studies, Annandale-on-Hudson, NY, US

2009
Qingdao University, Intensive Language Studies Summer Program, Qingdao, CN

Awards, Scholarships and Fellowships

2024
Baloise Art Prize 2024

2021
George C. Lin Emerging Filmmaker Award, San Diego Asian Film Festival
Line of Sight Fellowship

2009
Fulbright-Hays Scholarship


Solo exhibitions

2024
Art Basel Statements, w. FELIX GAUDLITZ, Basel, CH
Technical Difficulties, Maxwell Graham, New York, US

2023
12.23 Tiffany Sia, ahj.pm, Bielefeld, DE

2022
Minor Landscapes, FELIX GAUDLITZ, Vienna, AT

2021
Slippery When Wet, Artists Space, New York City, NY, US


Group exhibitions

2024
I am standing in the middle of the Information Highway and laughing, Curated by Raha Raissnia with Martin Germann, Argo Factory, Tehran, IR
Weather or not, curated by Ileana Nomikos Drinovan and Fabian Schöneich, Santozeum, Santorini, GR
Cameron Rowland, Tiffany Sia, Christopher Williams, Maxwell Graham, New York, US

2023
Paraventi: Folding screens from the 17th to 21st centuries, Fondazione Prada, Milan, IT
Signals: How Video Transformed The World, Museum of Modern Art, New York City, NY, US
Everybody Talks About the Weather, curated by Dieter Roelstraete, Ca’ Corner della Regina, Fondazione Prada, Venezia, IT
Mediums and Messengers, Bannister Gallery, Rhode Island College, RI, US

2022
Scoring the Words, Seoul Museum of Art, Seoul, KR (Catalogue)
CLOSER, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, DE
Every lie has an audience, co-organized by Attilia Fattori Franchini and Felix Gaudlitz, Marsèll, Milan, IT

2021
Death of Closeness, Hordaland Kunstsenter, Bergen, NO
Poet Slash Artist, Kunsthal Charlottenborg 1st Biennale, Copenhagen, DK
自我, 肖像 Self, as Portrait, Artists’ Book Library, Tai Kwun Contemporary Art, Hong Kong, S.A.R.
Play and Loop III, Blindspot Gallery, Hong Kong, S.A.R.
Artist’s response to Yuri Pattison’s “The engine.”, The Douglas Hyde Gallery, Dublin, IR
Poet Slash Artist, Manchester International Festival, curated by Hans Ulrich Obrist and
Lemn Sissay, Manchester, UK
Hellscrape (Collaboration with Zheng Mahler), Shedhalle, Zurich, CH

2020
The Life Instinct, Art at a Time Like This, curated by Diya Vij, New York City, NY, USA
Diaries, Notes and other Recordings. Low-Tech films about the Everyday, Cabaret Voltaire, curated by Jiajia Zhang, Zurich, CH
Never Rest/Unrest: Screening with Tiffany Sia, Chen’s [Remote], New York City, NY, USA + Online

2019
Better Homes and Better Gardens, Chen’s, New York City, NY, USA
afterbefore: images and sounds from Hong Kong, Chinatown Soup, New York City, NY, USA


Filmography

2024
A Child Already Knows (short)

2023
The Sojourn (short)

2022
What Rules The Invisible (short)

2021
Do Not Circulate (short)
A Road Movie is Impossible in Hong Kong (episodic shorts)
SEA – SHIPPING – SUN (short)

2020
Never Rest/Unrest (short)


Film festivals

2024
TIFF – Toronto International Film Festival, Toronto, CA
Open City Documentary Festival, Close-Up Cinema London, London, UK

2022
New York Film Festival, New York City, NY, USA
Open City Documentary Festival, Close-Up Cinema London, London, UK


2021
San Diego Asian Film Festival, San Diego, CA, USA
Double Exposure Film Festival, Online
Linea d’Ombra Festival, Salerno, IT
New York Film Festival, New York City, NY, USA

2020
Prismatic Ground (Presented by Maysles Documentary Center and Screen Slate), Online
MoMA Documentary Fortnight, New York City, NY, USA
Berwick Film and Arts Festival, Berwick-Upon-Tweed, UK


Publications

2024
On and Off-Screen Imaginaries, Primary Information

2021
Weird Times, Text by Tiffany Sia and Images by Yuri Pattison, Douglas Hyde Gallery
Too Salty Too Wet 更咸更濕, Speculative Place Press

2019
Salty Wet 咸濕, Inpatient Press, 2019


Other published writing

2023
Tiffany Sia, Paraventi: Folding Screens from the 17th to 21st Century, Fondazione Prada
New Territories: Reconfiguring Publics in Former and New Hong Kong Cinema,Film Quarterly, UC Press
The Screen Age: Video's Past and Future. Tiffany Sia writes on the 1990 video Taiwan: The Generation After Martial Law, Artforum
Never Rest/Unrest: Emerging Time, Signals: How Video Transformed the World, The Museum of Modern Art

2022
Phantasms of Dissent: Hong Kong’s New Documentary Vernacular, Film Quarterly, UC Press
Handbook of Feelings, October, MIT Press

2021
Tiffany Sia and Sky Hopinka, Light Industry, 5 April 2021
«UNFINISHED BUSINESS»: The Films of Joshua Gen Solondz and His Residency at Speculative Place, Screen Slate, 17 October 2021
直播 Direct Broadcast, Content: A Mimetics Research Journal, 25 February 2021
And Besides, It’s True: With Paige K.B. and Tiffany Sia, Triple Canopy, 11 March 2021

2020
New Artist Focus: Tiffany Sia on George Clark, Shadows and Transmission, LUX Scotland, 23 October 2020


Lectures and Talks

2024
On and Off-Screen Imaginaries: A Conversation with Tiffany Sia and An-My Lê, Dia Chelsea (Co-organized with Primary Information and Printed Matter), New York, NY, US
Guest Lecture, The Cooper Union, New York, NY, US


2023
The Sojourn: An evening with Tiffany Sia, Screenings followed by a conversation with Jean Ma, Stanford University, Stanford, US
An Evening with Tiffany Sia, Screening of Never Rest / Unrest (2020), Do Not Circulate (2021), What Rules the Invisible (2022) and a Conversation with Aria Dean, Stuart Comer and Michelle Kuo, MoMA, NY, US
SEGUE READING SERIES: NATALIE DIAZ & TIFFANY SIA, Artist Space, New York, US
Tiffany Sia in Hong Kong Open: A project with the artist Tiffany Sia & Simon Leung, Claire Trevor School of Arts, University of California Irvine, Matthew Schumaker/ Eric Huebner Concert and Workshop, Irvine, CA, US
HOW CAN WE GATHER NOW?, Symposium co-directed by Prem Krishnamurthy & Asad Raza, Washington Project for the Arts, Washington, DC, US
Tiffany Sia on An-My Lê, Artists on Artists Lecture Series, Dia Chelsea, New York, US

2022
Tiffany Sia: Do Not Circulate, Conversations at the Edge, School of Art Institute of Chicago, IL
Takeover: Online discussion with May Adadol Ingawanij, Ephraim Asili, Tiffany Sia, and Sriwhana Spong, e-flux – Online
Entangled Bonds: Working with Family in Documentary Film, UnionDocs, Center for Documentary Art, New York, NY
Guest Lecture, The Institute of Fine Arts, New York University, New York, NY
티파니 샤와 출라얀논 시리폰의 대화 Artist Talk with Tiffany Sia and Chulayarnnon Siriphol, Seoul Museum of Art – Seoul, South Korea
IMU UR2: Art, Aesthetics, and Asian America Symposium (Panel on Art Activisms with Gordon Chang, Howie Chen, Nancy Hom, Arlan Huang), Cantor Arts Center, Stanford University, Stanford, CA
Film Comment Live: On the Critical Attitude (with Laura Poitras and Elvis Mitchell), New York Film Festival – New York, NY
Adjunct Professor, Spring 2022 Semester, Cooper Union, New York, NY
Guest Lecture, Bard College – Annandale-on-Hudson, NY
Guest Lecture, Hong Kong University, Hong Kong
Marxism and Materialism presents Tiffany Sia, Rutgers University, New Brunswick, NJ
Guest Lecture, Eugene Lang College of Liberal Arts at the New School, New York, NY

2021
Cynesposia, Anthology Film Archive, New York, NY
Two Works by Hong Kong Documentary Filmmakers, Light Industry, New York, NY
How Can We Gather Now?, Washington Project for the Arts with support from the Goethe Institute and Eaton Workshop, Washington, DC + online
Guest Lecture, Parsons School of Design, New York, NY
Borobar Jagtana: Three Films by Suneil Sanzgiri, Pioneer Works x Asia Art Archive in America, New York, NY
Guest Lecture, Harvard University, Department of Art, Film, and Visual Studies, Cambridge, MA
Guest Lecture, Eugene Lang College of Liberal Arts at the New School, New York, NY
Guest Lecture, CCS Bard College, Annandale-on-Hudson, New York, NY
Guest Lecture, Hong Kong Baptist University, Hong Kong
Guest Lecture, Cooper Union, New York, NY
And Besides, It’s True. Screening and discussion with Paige K.B., Triple Canopy x Spectacle, New York, NY + online
Folding Horizons. soft/WALL/studs. Curated by S. Yi Yao Chao and Marcus Yee, Singapore + online
Too Salty Too Wet with Tiffany Sia. Printed Matter, New York, NY
Hong Kong Launch of Too Salty Too Wet: Tiffany Sia. Tai Kwun Contemporary Art, Hong Kong + online
AAWW Lunch. Asian American Writers’ Workshop – online

2020
更咸更濕Too Salty Too Wet [Leaked]. Printed Matter, New York, NY + Online
Salty Wet 咸濕 A reading by Tiffany Sia. Tai Kwun Contemporary Art – Hong Kong
The Forum. The Lab. Curated by Dana Beard, San Francisco, CA + online
Study Object Room: Tiffany Sia. Studio Voltaire London. Curated by Virgil B/G Taylor, London, UK + Online


Bibliography

2024
We Ate a Sheep. We Lost the Plot: Shu Lea Cheang, Lauren Cornell, and Tiffany Sia in conversation, Mousse Magazine 89, Fall 2024
On and Off-Screen Imaginaries, The Whitney Review of New Writing, July 2024
Christian, Re'al, Tiffany Sia by Re’al Christian, BOMB Magazine, July 2024
Seidel, Madeleine, Tiffany Sia Looks Off Screen, Frieze Magazine, May 2024
Packard, Cassie, Tiffany Sia’s On and Off-Screen Imaginaries, The Brooklyn Rail, May 2024
Wu, Jenny, The Long Journey Preceding Paradise: On The Sojourn and على مرمى حجر (A Stone’s Throw), Open City Texts, April 2024
Damman, Catherine Quan, Interview: Tiffany Sia on On and Off-Screen Imaginaries, Film Comment Magazine, 18 March 2024
Wu, Jenny, A New Hong Kong Cinema That Lives On: On Tiffany Sia's 'On and Off-Screen Imaginaries, Los Angeles Review of Books, 1 March, 2024
Kelly, Nolan, The Denatured Machine, 032c, 27 February, 2024
Raza, Asad, Books, Mousse Magazine, 17 January, 2024

2023
Culp, Samantha, There's an Alternative to the Infinite Scroll, WIRED, 19 September, 2023
Murphy, Benjamin O, 'A Definitional Impulse' On 'Signals: How Video Transformed The World' at The Museum of Modern Art, New York, Texte Zur Kunst, September 2023
Rakes, Rachael, Weather Reports, MUBI Notebook Magazine, Issue 3, 2023
Farago, Jason, The Crossed 'Signals' of MoMA's Largest Ever Video Show, The New York Times, 6 July 2023
Bradley, Paige K, Band of Outsiders, Artforum, 17 June 2023
Wu, Jenny, The Rogue Signals of Half a Century of Video Art, ArtReview, 18 May 2023
Lukenbill, Mackenzie, An Evening with Tiffany Sia, Screen Slate, 1 May 2023
Nguyen, Minh, In the Global South, Labeling a Research Project 'Art' Can Be a Tool for Evading Censorship, Art in America, 21 March 2023
Lin, Lana, Program 8: Time Out of Mind, Millennium Film Journal, No 77, Spring 2023
Lim, Dennis, Signals: How Video Transformed the World, e-flux Criticism, March 24, 2023
Ryan, Tina Rivers: THE SCREEN AGE: VIDEO’S PAST AND FUTURE. Tina Rivers Ryan on “Signals: How Video Transformed the World”, Artforum Review, MAY 2023, VOL. 61, NO. 9.
  
2022
Reverse Shot, Artists discuss making experimental films after colonialism. Sky Hopinka, Tiffany Sia, and Emma Wolukau-Wanambwa, Moderated by Emily Watlington, Art in America, May 2022
Fajemisin, Olamiju, Critics' Picks on ‘Closer’ at Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Artforum, April 2022

2021
Hopinka, Sky, Top Ten: Sky Hopinka’s highlights of 2021, Artforum, December 2021
Pipolo, Tom, Social Studies, Artforum, 24 September 2021
Shellenberger, Herb, 50th New York Film Festival, ‘Currents,’ Art Agenda, 12 November 2021
Piper, Burket, Emma, Collective Records: New York Film Festival’s Currents, MUBI, 7 October, 2021
Pipolo, Tony, Social Studies: Tony Pipolo on ‘Currents’ at the 59th New York Film Festival, Artforum, 24 September 2021
Damman, Catherine, Lust, Caution: Catherine Damman on Tiffany Sia’s Slippery When Wet, Artforum, 1 June 2021
Breathing Cameras: Tiffany Sia. Tiffany Sia in Conversation with Andrea Lissoni, Mousse Magazine. May 2021
Russeth, Andrew, Expansive Thinking Sustains Hong Kong Independent Galleries, The New York Times, 21 May 2021
Cheung, Karen, Slippery When Wet: A Conversation with Tiffany Sia, MARCH, May 2021
Yim, Polly, Breathing in the Invisible: Polly Yim on Tiffany Sia at Artists Space, Text zur Kunst, April 2021
Hrdy, Marius, Modes of Resistance: Berwick Film and Media Arts Festival 2020, The Brooklyn Rail, December 2020 / January 2021
Cordingly, Sasha, Resisting the Spectacle, ART PAPERS, Spring 2021
Bovino, Emily Verla, Slippery When Wet: Tiffany Sia’s Poetry of Lived Time, Ocula, 24 February, 2021
Le, Johnny, Tiffany Sia, Purple Magazine, Spring 2021
Cheung, Karen, Belonging Nearby, SFMoMA’s Open Space, March 31, 2021
Ling, Isabel, Wielding Time and Text, Tiffany Sia Documents Hong Kong’s Resistance, Hyperallergic, 13 April 2021
Ugelvig, Jeppe, Writing a History of Hong Kong with Tears, Frieze, 3 March, 2021
Piron, Adam, Adam Piron on Storytelling and The Importance of Cultural Diversity, Art in America, 12 February 2021

2020
The Editors of ArtAsiaPacific, Editors’ Picks from Booked: Hong Kong Art Book Fair, ArtAsiaPacific, 17 January 2020
Chu, Jaime, The Shortest Distance to Empathy; Spike Art Magazine, 12 July 2020
Cheung, Ysabelle, What Happens to Writing When We Stop Pretending Anything Makes Sense?, Literary Hub, 16 March 2020
Steinhauer, Jillian, Five Accounts to Follow on Instagram Now, The New York Times, 29 July 2020
Fajemisin, Olamiju, Generating Space(s), South London Gallery, 12 November 2020
The Editors of ArtAsiaPacific, AAP’s Favorite Films and Miscellaneous Things of 2020, ArtAsiaPacific, 23 December 2020
Anderson, Shane, The Experience We Were Supposed to be Having’: ASAD RAZA on DIY
Intimacy, Édouard Glissant, and Home Cooking, 032c, 8 June 2020
Simnett, Marianna, Home Cooking: being alone together, Heichi Magazine, 16 July 2020

2019
Raicovich, Laura, In Hong Kong, Protestors Are Using Their Zines to Get Their Messages Out, Hyperallergic, 29 August 2019
Haas, Benjamin, A Polarized City, Mirrored in Its Diaspora, The Atlantic, 20 October 2019
Gu, Qianfan, Better Homes & Gardens, Artforum, September 2019


Public Collections

Museum of Modern Art, New York City, NY, USA
Mudam – The Contemporary Art Museum of Luxembourg, Luxembourg, LU
Watson Library at the Met, New York City, NY, USA
Asia Art Archive, Hong Kong, S.A.R.
Asia Art Archive in America, New York City, NY, USA
Tai Kwun Contemporary Art, Hong Kong, S.A.R.
Knight Library at University of Oregon, Eugene, Oregon, USA
Print Collection and Spencer Collection / The New York Public Library, New York City, NY, USA
Tisch Library, Tufts University, New York City, NY, USA
Yale University Robert B. Haas Family Arts Library, New Haven, CT, USA
Bard College Library, Annandale-on-Hudson, NY, USA

Exhibitions

50
Art Basel Statements 2024
Tiffany Sia
13. – 16. 6. 2024
39
Dallas Invitational
Milena Büsch, Tony Cokes, Edith Deyerling, Hervé Guibert, Simon Lässig, Vera Lutz, Tiffany Sia, Tanja Widmann
22. – 23. 4. 2023
32
Liste 2022
Tiffany Sia
13. – 19. 6. 2022
31
Tiffany Sia
Minor Landscapes
9. 4. – 25. 6. 2022

News

Tiffany Sia's A Child Already Knows in Landscape Cinema: Poetics and Politics, Anthology Film Archives, New York, US

18. 10. 2024

On and Off-Screen Imaginaries by Tiffany Sia, published by Primary Information, 2023, Paperback, 208 pages, 10,8 × 18 cm (4.25 × 7.1 in)

Tiffany Sia in I Am Standing in the Middle of the Information Highway and Laughing, curated by Raha Raissnia with Martin Germann, Argo Factory, Tehran, IR

27. 9. – 18. 10. 2024

Tiffany Sia's What Rules The Invisible in dreamworlds, curated by Nasrin Himada, Walker Cinema, Walker Art Center, Minneapolis, US

29. 9. 2024

Tiffany Sia in Weather or not, curated by Ileana Nomikos Drinovan and Fabian Schöneich, Santozeum, Santorini, GR

Tiffany Sia's The Sojourn in Wavelengths 2: Ride the Wave at TIFF – Toronto International Film Festival, Toronto, CA

7. 9. 2024

Screening of SEA - SHIPPING - SUN (co-directed by Tiffany Sia and Yuri Pattison) in Heavy Metal Containers, Spectacle, New York, US

1. 7. – 5. 8. 2024

Tiffany Sia, Technical Difficulties, Maxwell Graham Gallery, New York, US

1. 5. – 29. 6. 2024

Tiffany Sia in We need to talk about...Decolonial Memories, Group Screening, Leiden Shorts, Amsterdam, NL

9. 6. 2024

Tiffany Sia screening of The Sojourn at Open City Documentary Festival, Close-Up Cinema London, London, UK

27. 4. 2024

Tiffany Sia, On and Off-Screen Imaginaries: A Film and Video Program, Co-organized with Primary Information and Printed Matter, Thursday–Saturday, March 28–30, 2024, 12–6 PM, Dia Chelsea, New York, US

28. – 30. 3. 2024

On and Off-Screen Imaginaries: A Conversation with Tiffany Sia and An-My Lê, Dia Chelsea 

28. 3. 2024

Cinema After Place: Tiffany Sia and Pavle Levi in Conversation, MoMA, Floor T2/T1, Theater 2, New York, US

March 2024

Tiffany Sia in Screen Slate by Will Hair

5. 3. 2024

Tiffany Sia with Cameron Rowland and Christopher Williams at Maxwell Graham Gallery, New York, US

12. 1. – 24. 2. 2024

Tony Cokes and Tiffany Sia in Paraventi – Folding Screens from the 17th to 21st Centuries, Fondazione Prada, Milan, IT

28. 10. 2023 – 22. 2. 2024

Tiffany Sia in Everybody Talks About the Weather, Fondazione Prada, Ca’ Corner Della Regina, Venice, IT

20. 5. – 16. 11. 2023

The Screen Age: Video’s Past and Future
Tiffany Sia writes on the 1990 video Taiwan: The Generation After Martial Law, Artforum Print, May 2023, Vol. 61, No. 9

Tiffany Sia on An-My Lê, Artists on Artists Lecture Series, Dia Chelsea, New York, US (recording)

Tony Cokes and Tiffany Sia in Signals: How Video Transformed the World, Museum of Modern Art (MoMA), New York, NY, US

5. 3. – 8. 7. 2023

Tony Cokes and Tiffany Sia in The Screen Age: Video’s Past and Future. Tina Rivers Ryan on “Signals: How Video Transformed the World,” Artforum Print, May 2023, Vol. 61, No. 9

Tiffany Sia in The Sojourn: An evening with Tiffany Sia, Screenings followed by a conversation with Jean Ma at Stanford University, Stanford, US

24. 5. 2023

An Evening with Tiffany Sia, MoMA, Floor T2/T1, Theater 2, The Roy and Niuta Titus Theater 2, New York

1. 5. 2023

Tony Cokes and Tiffany Sia at HOW CAN WE GATHER NOW?, Symposium co-directed by Prem Krishnamurthy & Asad Raza, Washington Project for the Arts, Washington, DC, US

31. 3. – 2. 4. 2023

Tiffany Sia, Scroll Figure #3, Scroll Figure #4, ajh.pm

15. 1. – 14. 3. 2023

Tiffany Sia in Hong Kong Open: Tiffany Sia in Conversation with Simon Leung, Claire Trevor School of Arts at University of California Irvine, Irvine, CA  

23. 2. 2023

Tiffany Sia in SEGUE READING SERIES: NATALIE DIAZ & TIFFANY SIA, Artist Space, New York, US (Reading)

18. 2. 2023

Tiffany Sia, Do Not Circulate, as part of e-flux Takeover, V. Screen Takeover, Curated by Julian Ross

17. – 30. 11. 2022

Tiffany Sia in Scoring the Words, Seoul Museum of Art, Seosomun Main Branch, Seoul

1. 9. – 20. 11. 2022

Tiffany Sia's WHAT RULES THE INVISIBLE, US Premier at New York Film Festival, Currents Program 8: Time Out of Mind, New York City, USA

30. 9. – 16. 10. 2022

Tiffany Sia's WHAT RULES THE INVISBILE, Open City Documentary Festival, Close-Up Cinema London, Saturday, 10. 9. 2022, 15:30

10. 9. 2022

Tiffany Sia, Handbook of Feelings in October No. 180, Spring 2022

Tiffany Sia, Phantasms of Dissent. Hong Kong's New Documentary Vernacular, Film Quarterly, Summer 2022, Volume 75, Number 4

Every lie has an audience, organized by Attilia Fattori Franchini and Felix Gaudlitz, Marsèll, Milan

1. 4. – 6. 5. 2022

"A Vernacular Against Circulation", Screening "Never Rest/Unrest" (2020) and artist lecture by Tiffany Sia, Kunstverein Düsseldorf, 19:00

10. 4. 2022

Publications

On and Off-Screen Imaginaries by Tiffany Sia, Published by Primary Information, 2023

Too Salty Too Wet 更咸更濕, Artist book, Speculative Place Press, 2021
Weird Times, Text by Tiffany Sia and images selected by Yuri Pattison, 2021

Salty Wet 咸濕, Artist book/chapbook/zine, Inpatient Press, 2019

Press

Index