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FELIX GAUDLITZ

Werdertorgasse 4/2/13
1010 Vienna
info@felixgaudlitz.com

Index
33

I am the secret meat

Tolia Astakhishvili, Hervé Guibert, Simon Lässig, Nat Marcus, James Richards, Galen and Edwin Riley
Organized by Tolia Astakhishvili as part of curated by 2022
9. 9. – 22. 10. 2022
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curated by 2022
The gallery festival with international curators in Vienna.

Opening weekend
Friday, 9. 9. 2022: 12:00 – 18:00
Saturday, 10. 9. 2022: 12:00 – 18:00

Special opening hours
13. 9. – 8. 10. 2022
Tuesday – Friday: 12:00 – 18:00
Saturdays 12:00 – 16:00

The exhibition is extended through 22. 10. 20022.
Please note that from Wednesday, 12. 10. 2022 the gallery will be open by appointment only.


A reading performance by Nat Marcus
Green space
Saturday, 10. 9. 2022, 17:00

Nat Marcus, whose poetic texts are installed in I am the secret meat, will read a selection of poems that respond to the room.

Frieze review by Francesca Gavin

Spike Art Magazine review by Ewa Borysiewicz

Mousse Magazine

Arts of the working class, Notes on Vienna: Reflecting on its facades and the workers within

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Nat Marcus, Green Poem, 2022, Adhesive vinyl on wall, ca. 185.0 × 76.0 cm (72.834 × 29.921 in)

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Tolia Astakhishvili, I am the secret meat, 2022, Reverse glass painting in plywood structure, metal handels, Window: 208.0 × 162.0 cm (81.889 × 63.779 in), Installation: Dimensions variable

fig. 878

Tolia Astakhishvili, I am the secret meat, 2022 (Detail), Reverse glass painting in plywood structure, metal handels, Window: 208.0 × 162.0 cm (81.889 × 63.779 in), Installation: Dimensions variable

fig. 882

Tolia Astakhishvili, I am the secret meat, 2022 (Detail), Reverse glass painting in plywood structure, metal handels, Window: 208.0 × 162.0 cm (81.889 × 63.779 in), Installation: Dimensions variable

fig. 883

Tolia Astakhishvili, I am the secret meat, 2022 (Detail), Reverse glass painting in plywood structure, metal handels, Window: 208.0 × 162.0 cm (81.889 × 63.779 in), Installation: Dimensions variable

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Tolia Astakhishvili, I am the secret meat, 2022, Reverse glass painting in plywood structure, metal handels, Window: 208.0 × 162.0 cm (81.889 × 63.779 in), Installation: Dimensions variable

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Tolia Astakhishvili, Windows, ways, doors, holes, 2022, Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

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Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

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Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

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Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

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Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

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Tolia Astakhishvili, Strange sites that have to be built to be entered, 2022, Collage, drawing, 62.5 × 62.5 cm (24.607 × 24.607 in)

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Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

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Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

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Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Hervé Guibert, Deux têtes, Musée Grévin, 1979, Vintage silver gelatin print, Image: 14.5 × 22.0 cm (5.708 × 8.611 in), Paper: 23.7 × 30.5 cm (9.331 × 12.008 in), Ed. 1/25

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Hervé Guibert, Budapest, 1982, Vintage silver gelatin print, Image 14.8 × 22.7 cm (5.827 × 8.937 in), Paper 23.7 × 30.0 cm (9.331 × 11.811 in), Ed. 1/25

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Hervé Guibert, Musée Grévin, Paris, 1978, Vintage silver gelatin print, Image: 17.3 × 26 cm (6.811 × 10.236 in), Paper: 23.8 × 30.5 cm (9.370 × 12.008 in), Ed. 1/25

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Hervé Guibert, Musée Grévin, Paris, 1978, Vintage silver gelatin print, Image: 22.0 × 14.5 cm (8.611 × 5.708 in), Paper: 30.5 × 23.7 cm (12.008 × 9.331 in), Ed. 2/25

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Hervé Guibert, La petite danseuse (Musée Grévin), Paris, 1979, Vintage silver gelatin print, Image: 22.0 × 14.3 cm (8.661 × 5.631 in), Paper: 30.4 × 23.8 cm (11.969 × 9.370 in), Ed. 3/25

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Hervé Guibert, Musée Grévin, Paris, 1978, Vintage silver gelatin print, Image: 10.7 × 15.3 cm (4.213 × 6.024 in), Paper: 17.7 × 24.0 cm (6.969 × 9.449 in), Ed. 3/25

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Hervé Guibert, Petites lumières et fauteuils blancs, Villa Médicis, 1988-89, Vintage silver gelatin print, Image: 14.5× 22.5 cm (5.709 × 8.858 in), Paper: 23.8 × 30.2 cm (9.370 × 11.890 in), Ed. 5/25

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Hervé Guibert, Musée Grévin, Paris, 1977-78, Vintage silver gelatin print, Image: 14.5× 22.0 cm (5.708 × 8.611 in), Paper: 23.7 × 30.5 cm (9.331 × 12.008 in), Ed. 3/25

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Hervé Guibert, Musée de l‘Homme, Paris, 1978, Vintage silver gelatin print, Image: 14.6 × 22.0 cm (5.748 × 8.661 in), Paper: 24.0 × 30.0 cm (9.449 × 11.811 in), Ed. 1/25

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Simon Lässig, Untitled, 2022, Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120 × 60 × 74 cm (47.244 × 23.622 × 29.134 in)

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2022, Slide Show (81 Slides), Dimensions variable, Ed. 2 + 2 AP

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Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2022 (Detail), Slide Show (81 Slides), Dimensions variable, Ed. 2 + 2 AP

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Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2022 (Detail), Slide Show (81 Slides), Dimensions variable, Ed. 2 + 2 AP

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Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2022 (Detail), Slide Show (81 Slides), Dimensions variable, Ed. 2 + 2 AP

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Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2022 (Detail), Slide Show (81 Slides), Dimensions variable, Ed. 2 + 2 AP

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Tolia Astakhishvili, My year of rest and relaxation, 2022, Walled up window, plywood, gypsum, Dimensions variable, Ed. 3 + 2 AP

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Hervé Guibert, Musée Grévin, Paris, 1978, Vintage silver gelatin print, Image: 17 × 25,5 cm (6.693 × 10.039 in), Paper: 20 × 30 cm (7.874 × 11.811 in), Ed. 2/2

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Tolia Astakhishvili, I am the secret meat, 2022, Reverse glass painting in plywood structure, metal handels, LED lights, Window: 211.0 × 166.0 cm (83.070 × 65.354 in), Installation: Dimensions variable

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

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Galen and Edwin Riley, Double Time: I freed myself from the first imagined object, 1970s/2015, Super 8 (double exposed), 4:13 mins., Ed. 3 + 1 AP

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Galen and Edwin Riley, Double Time: I freed myself from the first imagined object, 1970s/2015, Super 8 (double exposed), 4:13 mins., Ed. 3 + 1 AP

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Galen and Edwin Riley, Double Time: I freed myself from the first imagined object, 1970s/2015, Super 8 (double exposed), 4:13 mins., Ed. 3 + 1 AP

Photography: kunst-dokumentation.com

Index