Index
33

I am the secret meat

Tolia Astakhishvili, Hervé Guibert, Simon Lässig, Nat Marcus, James Richards, Galen and Edwin Riley
Organized by Tolia Astakhishvili as part of curated by 2022
9. 9. – 22. 10. 2022

curated by 2022
The gallery festival with international curators in Vienna.

Opening weekend
Friday, 9. 9. 2022: 12:00 – 18:00
Saturday, 10. 9. 2022: 12:00 – 18:00

Special opening hours
13. 9. – 8. 10. 2022
Tuesday – Friday: 12:00 – 18:00
Saturdays 12:00 – 16:00

The exhibition is extended through 22. 10. 20022.
Please note that from Wednesday, 12. 10. 2022 the gallery will be open by appointment only.


A reading performance by Nat Marcus
Green space
Saturday, 10. 9. 2022, 17:00

Nat Marcus, whose poetic texts are installed in I am the secret meat, will read a selection of poems that respond to the room.

fig. 874

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 875

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 876

Nat Marcus, Green Poem, 2022, Adhesive vinyl on wall, ca. 185.0 × 76.0 cm (72.834 × 29.921 in)

fig. 877

Tolia Astakhishvili, I am the secret meat, 2022, Reverse glass painting in plywood structure, metal handels, Window: 208.0 × 162.0 cm (81.889 × 63.779 in), Installation: Dimensions variable

fig. 878

Tolia Astakhishvili, I am the secret meat, 2022 (Detail), Reverse glass painting in plywood structure, metal handels, Window: 208.0 × 162.0 cm (81.889 × 63.779 in), Installation: Dimensions variable

fig. 882

Tolia Astakhishvili, I am the secret meat, 2022 (Detail), Reverse glass painting in plywood structure, metal handels, Window: 208.0 × 162.0 cm (81.889 × 63.779 in), Installation: Dimensions variable

fig. 883

Tolia Astakhishvili, I am the secret meat, 2022 (Detail), Reverse glass painting in plywood structure, metal handels, Window: 208.0 × 162.0 cm (81.889 × 63.779 in), Installation: Dimensions variable

fig. 885

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 886

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 888

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 891

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 892

Tolia Astakhishvili, I am the secret meat, 2022, Reverse glass painting in plywood structure, metal handels, Window: 208.0 × 162.0 cm (81.889 × 63.779 in), Installation: Dimensions variable

fig. 893

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 894

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 895

Tolia Astakhishvili, Windows, ways, doors, holes, 2022, Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

fig. 896

Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

fig. 897

Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

fig. 898

Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

fig. 899

Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

fig. 901

Tolia Astakhishvili, Strange sites that have to be built to be entered, 2022, Collage, drawing, 62.5 × 62.5 cm (24.607 × 24.607 in)

fig. 902

Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

fig. 903

Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

fig. 904

Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

fig. 905

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 906

Hervé Guibert, Deux têtes, Musée Grévin, 1979, Vintage silver gelatin print, Image: 14.5 × 22.0 cm (5.708 × 8.611 in), Paper: 23.7 × 30.5 cm (9.331 × 12.008 in), Ed. 1/25

fig. 907

Hervé Guibert, Budapest, 1982, Vintage silver gelatin print, Image 14.8 × 22.7 cm (5.827 × 8.937 in), Paper 23.7 × 30.0 cm (9.331 × 11.811 in), Ed. 1/25

fig. 908

Hervé Guibert, Musée Grévin, Paris, 1978, Vintage silver gelatin print, Image: 17.3 × 26 cm (6.811 × 10.236 in), Paper: 23.8 × 30.5 cm (9.370 × 12.008 in), Ed. 1/25

fig. 909

Hervé Guibert, Musée Grévin, Paris, 1978, Vintage silver gelatin print, Image: 22.0 × 14.5 cm (8.611 × 5.708 in), Paper: 30.5 × 23.7 cm (12.008 × 9.331 in), Ed. 2/25

fig. 910

Hervé Guibert, La petite danseuse (Musée Grévin), Paris, 1979, Vintage silver gelatin print, Image: 22.0 × 14.3 cm (8.661 × 5.631 in), Paper: 30.4 × 23.8 cm (11.969 × 9.370 in), Ed. 3/25

fig. 911

Hervé Guibert, Musée Grévin, Paris, 1978, Vintage silver gelatin print, Image: 10.7 × 15.3 cm (4.213 × 6.024 in), Paper: 17.7 × 24.0 cm (6.969 × 9.449 in), Ed. 3/25

fig. 912

Hervé Guibert, Petites lumières et fauteuils blancs, Villa Médicis, 1988-89, Vintage silver gelatin print, Image: 14.5× 22.5 cm (5.709 × 8.858 in), Paper: 23.8 × 30.2 cm (9.370 × 11.890 in), Ed. 5/25

fig. 913

Hervé Guibert, Musée Grévin, Paris, 1977-78, Vintage silver gelatin print, Image: 14.5× 22.0 cm (5.708 × 8.611 in), Paper: 23.7 × 30.5 cm (9.331 × 12.008 in), Ed. 3/25

fig. 914

Hervé Guibert, Musée de l‘Homme, Paris, 1978, Vintage silver gelatin print, Image: 14.6 × 22.0 cm (5.748 × 8.661 in), Paper: 24.0 × 30.0 cm (9.449 × 11.811 in), Ed. 1/25

fig. 915

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 916

Simon Lässig, Untitled, 2022, Table, stool, stack of paper (38 prints), ca. 120.0 × 60.0 × 74.0 cm (47.244 × 23.622 × 29.134 in)

fig. 917

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120.0 × 60.0 × 74.0 cm (47.244 × 23.622 × 29.134 in)

fig. 918

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120.0 × 60.0 × 74.0 cm (47.244 × 23.622 × 29.134 in)

fig. 919

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120.0 × 60.0 × 74.0 cm (47.244 × 23.622 × 29.134 in)

fig. 920

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120.0 × 60.0 × 74.0 cm (47.244 × 23.622 × 29.134 in)

fig. 921

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120.0 × 60.0 × 74.0 cm (47.244 × 23.622 × 29.134 in)

fig. 922

Simon Lässig, Untitled, 2022 (Detail), Table, stool, stack of paper (38 prints), ca. 120.0 × 60.0 × 74.0 cm (47.244 × 23.622 × 29.134 in)

fig. 923

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 924

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 925

Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2022, Slide Show (81 Slides), Dimensions variable, Ed. 2 + 2 AP

fig. 926

Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2022 (Detail), Slide Show (81 Slides), Dimensions variable, Ed. 2 + 2 AP

fig. 927

Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2022 (Detail), Slide Show (81 Slides), Dimensions variable, Ed. 2 + 2 AP

fig. 928

Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2022 (Detail), Slide Show (81 Slides), Dimensions variable, Ed. 2 + 2 AP

fig. 929

Tolia Astakhishvili and James Richards, Tenant (From Communion to Cannibalism), 2022 (Detail), Slide Show (81 Slides), Dimensions variable, Ed. 2 + 2 AP

fig. 930

Tolia Astakhishvili, My year of rest and relaxation, 2022, Walled up window, plywood, gypsum, Dimensions variable, Ed. 3 + 2 AP

fig. 931

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 932

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 934

Hervé Guibert, Musée Grévin, Paris, 1978, Vintage silver gelatin print, Image: 17 × 25,5 cm (6.693 × 10.039 in), Paper: 20 × 30 cm (7.874 × 11.811 in), Ed. 2/2

fig. 935

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 936

Tolia Astakhishvili, Windows, ways, doors, holes, 2022 (Detail), Mixed media installation, ca. 345.0 × 293.0 × 254.0 cm (135.827 × 115.354 × 100.000 in)

fig. 937

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 938

Tolia Astakhishvili, I am the secret meat, 2022, Reverse glass painting in plywood structure, metal handels, LED lights, Window: 211.0 × 166.0 cm (83.070 × 65.354 in), Installation: Dimensions variable

fig. 940

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 941

I am the secret meat, 2022, Organized by Tolia Astakhishvili, Installation view, FELIX GAUDLITZ, Vienna

fig. 942

Galen and Edwin Riley, Double Time: I freed myself from the first imagined object, 1970s/2015, Super 8 (double exposed), 4:13 mins., Ed. 3 + 1 AP

fig. 943

Galen and Edwin Riley, Double Time: I freed myself from the first imagined object, 1970s/2015, Super 8 (double exposed), 4:13 mins., Ed. 3 + 1 AP

fig. 944

Galen and Edwin Riley, Double Time: I freed myself from the first imagined object, 1970s/2015, Super 8 (double exposed), 4:13 mins., Ed. 3 + 1 AP

Index